Tico Romao

National Cinema Dictionary: M is for Malian Cinema. Yeelen (Souleymane Cissé, 1987). A mythic epic.

Celestial Emporium of Cinematic Knowledge: R is for Robot. Robby the Robot in Forbidden Planet (1956).

The World Documentary Repository: D is for D.A. Pennebaker. American documentarian and pioneer of Direct Cinema, who utilized handheld 16mm cameras and synchronized sound to capture unfolding reality, epitomized by his landmark Bob Dylan portrait Dont Look Back (1967).

Global Compendium of Animation: I is for Ideya Garanina. Prominent Russian animator and director recognized for her highly expressive, avant-garde stop-motion and puppet animations, as illustrated by Cabaret (1981).

Veo animation of The Time Machine (1960) quad.

Edison's Sioux Ghost Dance (1894) is one of the earliest films that depicts indigenous peoples. While intended to preserve a vanishing culture, the film established a continuing stereotype of treating members of indigenous communities as exotic spectacles.

National Cinema Dictionary: L is for Lesotho Cinema. This Is Not a Burial, It's a Resurrection (Lemohang Jeremiah Mosese, 2019). A mythic elegy.

Celestial Emporium of Cinematic Knowledge: Q is for Queen. Christina, Queen of Sweden in Queen Christina (1933).

The World Documentary Repository: C is for Cinéma Vérité. A documentary mode that emerged in the late 1950s and 1960s, blending naturalistic observation with deliberate interaction with subjects, as illustrated by Jean Rouch and Edgar Morin's Chronicle of a Summer (1961).

Global Compendium of Animation: H is for Hayao Miyazaki. A world-renowned Japanese director and co-founder of Studio Ghibli, celebrated for environmental themes and strong female leads in films like Spirited Away (2001).

Action Film Dictionary: P is for Pursuit Scenario. A situation in which a pursuee travels at speed to escape from a pursuer (or pursuers) with the intent to capture or kill, and engages in intercepting manoeuvres, as illustrated by the pursuit sequence in San Quentin (1937).

Veo animation of The Devil Rides Out (1968) quad.

National Cinema Dictionary: K is for Kyrgyzstani Cinema. Beshkempir the Adopted Son (Aktan Abdykalykov, 1998). A coming-of-age drama.

Celestial Emporium of Cinematic Knowledge: P is for Private Eye. As in Mike Hammer in Kiss Me Deadly (1955).

The World Documentary Repository: B is for Barbara Kopple. An American documentarian noted for her early immersive, cinema-vérité style, who embedded herself within volatile labor struggles, as illustrated by Harlan County USA (1976).

Global Compendium of Animation: G is for George Dunning. A Canadian animator who first worked at the NFB before setting up his private studio and directing Yellow Submarine (1968). Dunning co-directed the NFB short Family Tree (1950) with Evelyn Lambart.

Action Film Dictionary: O is for Obstacle. A character or inanimate object that functions to impede another character’s progress, such as the high-velocity wind impeding Ethan Hunt's progress in Mission: Impossible (1996).

Veo animation of Angel Unchained (1970) quad.

The associative cut from mass-produced hot dogs to commuters traveling up escalators in Koyaanisqatsi (1982) functions as more than just a visual simile. The cuts suggests, in the context of the film, that contemporary urban life is equally mass-manufactured, be it in terms of work or leisure time.

National Cinema Dictionary: J is for Jordanian Cinema. Theeb (Naji Abu Nowar, 2014). A coming-of-age drama.

Celestial Emporium of Cinematic Knowledge: O is for Outer Space. As setting in Interstellar (2014).

The World Documentary Repository: A is for Activist Filmmaking. An interventionist documentary mode used as a means for social justice, systemic critique, and direct political mobilization, as illustrated by Misère au Borinage (Henri Storck and Joris Ivens, 1934).

Global Compendium of Animation: F is for Feral (2012). Oscar-nominated animated short directed by Daniel Sousa that uses a hybrid production techniques, including hand-drawn animation, physical pencil drawings, and digital compositing.

Action Film Dictionary: N is for Nemesis. The film's antagonist, who represents an existential threat to the protagonist beyond merely creating obstacles to the central character's short and long-term goals, such as Hans Gruber in Die Hard (1988).

Veo animation of Them! (1954) quad.

The bridge explosion and the subsequent fall of the pursuing posse in The Wild Bunch (1969) is a combination of insertion shots and overlapping edits. The scene is 27 seconds long, presented in 24 shots. There are 11 insert shots, 4 overlapping edits, and 2 moments of breaking of axis.

National Cinema Dictionary: I is for Indonesian Cinema. Laskar Pelangi (Riri Riza, 2008). A coming-of-age drama.

Celestial Emporium of Cinematic Knowledge: N is for Nautical. A multi-masted square-rigger in The Yankee Clipper (1927).

Global Compendium of Animation: E is for Eduard Nazarov. A Russian animator who worked at Soyuzmultfilm and Pilot Studio, whose animated films showcased his graphic design and layout skills, as illustrated in Hunt (1979).

Action Film Dictionary: M is for Martial Arts. Regional forms of hand-to-hand combat that are principally associated with Asian cinemas, and Hong Kong action cinema in particular, as illustrated in Drunken Master (1978).

Veo animation of The Food of the Gods (1976) quad.

National Cinema Dictionary: H is for Hungarian cinema. The Round-Up (Miklós Jancsó, 1966). A political allegory.

Celestial Emporium of Cinematic Knowledge: M is for Meal. As in Eraserhead (1977).

Global Compendium of Animation: D is for Don Bluth. A former Disney animator whose independent studio revitalized American feature animation by producing darker, high-quality alternatives such as The Secret of NIMH (1982).

Action Film Dictionary: L is for Last Minute Rescue. A variant of the rescue scenario in which it is under some form of deadline to be achieved by the rescuer(s) before the captive(s) are injured or killed, as illustrated in Superman (1978).

Veo animation of Female Trouble (1974) quad.

The reverse motion of the title sequence of Memento (2000) anticipates the film's reverse chronological structure by showing a Polaroid photo fade to white and a bullet return to a gun, as the film repurposes the flashback structure convention of classical Hollywood noir.

National Cinema Dictionary: G is for Greek Cinema. Trilogy: The Weeping Meadow (Theo Angelopoulos, 2004). A historical chronicle.

Celestial Emporium of Cinematic Knowledge: L is for Landmark. The Glenfinnan Viaduct in Harry Potter and the Chamber of Secrets (2002).

Global Compendium of Animation: C is for Carosello. An Italian TV programme that consisted of structured entertainment and advertising blocks, providing Italian animators with opportunities to produce work, such as Pino Pascali's Bacco e Marte (1963).

Action Film Dictionary: K is for Kicker Ramp. A specialized ramp used in automotive stunts that launches the front of a vehicle into the air while minimizing nose-diving, as seen in Batman Begins (2005).

Veo animation of Quatermass and the Pit (1967) quad.

Film Terms: G is for Graphic Match. An editing transition that connects two different scenes by aligning similar shapes, colors, compositions, or movements between two consecutive shots to create a visual or interpretive link, as used in Un Chien Andalou (1929).

National Cinema Dictionary: F is for Fijian Cinema. The Land Has Eyes (Vilsoni Hereniko, 2004). A coming-of-age drama.

Celestial Emporium of Cinematic Knowledge: K is for Keystone Cops. As in Tillie's Punctured Romance (1914).

Global Compendium of Animation: B is for Bob Clampett. An American animator best known for his work at Warner Bros., who injected animation with a wild, elastic, and surreal energy, as seen in The Big Snooze (1946).

Action Film Dictionary: J is for James Bond. A major action film franchise that actionified the espionage genre, continuing with Thunderball (1965).

Veo animation of The Mercenaries (1968) quad.

Making an American Citizen (1912) uses a Russian couple to depict Eastern European immigrants as abusive, backward, and unrefined. Through public interventions, the film shows the husband being forcefully civilized framing assimilation as an absolute cure for ethnic flaws.

National Cinema Dictionary: E is for Ethiopian cinema. Harvest: 3,000 Years (Haile Gerima, 1976). A revolutionary social realist film.

Celestial Emporium of Cinematic Knowledge: J is for Jane Fonda. As Cat in Cat Ballou (1965).

Global Compendium of Animation: A is for Abstract Animation. A genre of animation that focuses on non-narrative, non-representational forms, rhythms, and colors, as revealed by John Whitney Sr.'s Celery Stalks at Midnight (1951).

Action Film Dictionary: I is for Impact Aesthetics. The use of various film techniques to convey the material impact of physical force on the human body and on objects, as revealed in the audio design of the blows in The Bourne Supremacy (2004).

Veo animation of Breathless (1960) quad.

National Cinema Dictionary: D is for Dutch Cinema. Spetters (Paul Verhoeven, 1980). An erotic sports drama.

Celestial Emporium of Cinematic Knowledge: I is for Instruments of the Musical Kind. The didgeridoo in Where the Green Ants Dream (1984).

Global Compendium of Animation: Z is for Zambezia (2012). An animated feature film produced by Triggerfish Animation Studios, based in South Africa, that leverages vibrant 3D digital craft and distinctly localized African settings.

Veo animation of Spy in Your Eye (1965) quad.

The chicken metaphor in Chaplin's The Gold Rush (1925) functions as an instance of substitution. The source domain is Chaplin's character, who transforms into a chicken as a result of Big Jim McKay's delirium, with his subjective vision stemming from his hunger, the target domain.

National Cinema Dictionary: C is for Chilian Cinema. To Kill a Man (Alejandro Fernández Almendras, 2014). A psychological thriller.

Celestial Emporium of Cinematic Knowledge: H is for Hairstyle. Madeleine Elster’s tightly coiled blonde swirl in Vertigo (1958).

Global Compendium of Animation: Y is for Yefim Gamburg. A Russian animation director at the Soyuzmultfilm studio, celebrated for his innovative musical cartoons and his pioneering, multi-decade work in the genre of animated film parodies, such as Passion of Spies (1967).

Action Film Dictionary: G is for Guard. A character in the heist scenario whose chief narrative function is to prevent the theft of valuable objects located in a secured space, often acting as an obstacle to the thief, as seen in The War Wagon (1967).

Veo animation of Spartacus (1960) quad.

An instance of event repetition occurs in Zabriskie Point (1970). Daria's subjective fantasy of blowing up a desert home was captured with 17 cameras. The story event is 1 minute and 16 seconds long, consisting of 14 shots, 13 of which are in slow motion, with no overlapping edits.

National Cinema Dictionary: B is for Bosnian and Herzegovinian Cinema. Grbavica (Jasmila Žbanić, 2006). A post-war drama.

Celestial Emporium of Cinematic Knowledge: G is for Geography. The Peruvian Amazon as setting in Fitzcarraldo (1982).

Global Compendium of Animation: X is for Xavier Atencio. Key figure in the Disney animation department involved in major productions, including Toot Whistle Plunk and Boom (1953).

Action Film Dictionary: F is for Fight Scenario. The defining feature of the fight scenario is physical conflict. In its prototypical form, the conflict minimally consists of two combatants with fighting skills showcased as shown in Red River (1948).

Veo animation of Dobré svetlo (1986) quad.

National Cinema Dictionary: A is for Angolan Cinema. Sambizanga (Sarah Maldoror, 1972). A historical-political drama.

Celestial Emporium of Cinematic Knowledge: F is for Futuristic Technologies. The Grid in Tron: Legacy (2010).

Global Compendium of Animation: W is for Walerian Borowczyk. A Polish animator working in France who revolutionized animation by blending surrealist collage techniques with an absurdist sensibility, as seen in The Astronauts (1959).

Action Film Dictionary: E is for Escape Scenario. A character is held captive in some way. To avoid death or physical harm, the character attempts to escape by their own means or is sometimes assisted by others, as illustrated in Take Aim at the Police Van (1960).

Veo animation of AVP: Alien vs. Predator (2004) quad.

The title sequence for Forbidden Planet (1956) ditches the orchestral score for Louis & Bebe Barron’s eerie, pioneering electronic tonalities. Paired with a deep-space background, the sequence jettisoned sci-fi cinema out of the B-movie era forever into the A picture domain.

National Cinema Dictionary: Z is for Zimbabwean Cinema. Neria (Godwin Mawuru, 1993). A social realist drama.

Celestial Emporium of Cinematic Knowledge: E is for Experimental Film. Meshes of the Afternoon (1943).